RELATED: Zack Snyder's Justice League: How Diana Discovers the Truth About Darkseidīarry eventually sets her down before running away as her vehicle explodes, but while the intention is to show him saving a damsel in distress, it really depicts him as a creep. Snyder tries to lighten the mood by setting it to Rose Betts' piano cover of "Song to the Siren," but even that can't mask the toxicity. He fawns over Iris for a long moment, even brushing her hair out her face. This goes on for way too long, and in the end, is a total invasion of privacy. At the lights, she's t-boned by a truck, whose driver was trying to find his burger that fell on the floor in what's a really ridiculous set of unfortunate events.Īs Iris' car flips and she's tossed out, Barry speeds through the glass, but rather than grab her mid-air immediately, he grabs a hot dog from a cart that was thrown in the air and uses the Speed Force for some stalking. The scene's set in slow motion, with her not taking her eyes off Barry, which is strange because her car's in motion. It's melodramatic and romantic, similar to what's been done on The CW, but it begins to go wrong when she drives off.
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Snyder spends most of his movie making Flash more likable, but in this scene, he comes off as toxic, and it really doesn't paint the speedster in the most altruistic light. The moment focuses on him applying for a job at a doggy day-care, locking eyes with Iris as she leaves. Adding some depth to Barry Allen isn't the problem.